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The photographer at Auschwitz: Man forced to take chilling images of inmates and their Nazi guards was haunted until his death at 94

Photographer Wilhelm Brasse died this week aged 94

He had taken up to 50,000 photos in Auschwitz for the Nazis

Mr Brasse hid negatives which were used to convict the very Nazis who commissioned them

These chilling images of a young Jewish girl at Auschwitz are among thousands that have haunted a Nazi photographer all his life.

Wilhelm Brasse was forced to take photographs of frightened children and victims of gruesome medical experiments moments from their death at the extermination camp where some 1.5million people, mostly Jewish died in the Holocaust.

Mr Brasse, who died this week aged 94, has had relive those horrors from inside Auschwitz but is considered a hero after he risked his life to preserve the harrowing photographs, which later helped convict the very Nazi monsters who commissioned the photographs.

article-2224026-15A94652000005DC-256_634x286Frightened victims: Wilhelm Brasse took some 40,000-50,000 photographs inside Aushwitz for the Nazis including these shots of Czeslawa Kwoka after she was beaten by a guard

article-2224026-15B81AA9000005DC-518_634x286Haunting: The identity photographs of an Auschwitz inmate that Brasse took as part of the Nazi German effort to document their activities at the camp

After the war, Mr Brasse tried to return to photography but it was too traumatic.

He said: ‘When I started taking pictures again, I saw the dead. I would be standing taking a photograph of a young girl for her portrait but behind her I would see them like ghosts standing there.

‘I saw all those big eyes, terrified, staring at me. I could not go on.’

He never again picked up a camera. Instead, he set up a business making sausage casings and lived a modestly prosperous life.

Before the war, Mr Brasse trained as a portrait photographer in a studio owned by his aunt in the Polish town of Katowice. He had an eye for the telling image and an ability to put his subjects at ease.

But his peaceful, prosperous existence was shattered with the Nazi invasion of Poland in September 1939. He was the son of a German father and Polish mother.

He said: ‘When the Germans came, they wanted me to join them and say I was loyal to the Reich, but I refused. I felt Polish and I was Polish. It was my mother who instilled this in us.’

Considering the Nazis’ capacity for brutality, it was an extraordinarily brave thing for 22-year-old Mr Brasse to do.

After several Gestapo interrogations he tried to flee to Hungary but was caught at the border. He was imprisoned for four months and then offered another chance to declare his loyalty to Hitler.

He said: ‘They wanted me to join the German army and promised everything would be OK for me if I did.’

But again he refused and on August 31, 1940 he was placed on a train for the newly opened concentration camp at Auschwitz-Birkenau.

In February 1941, he was summoned to the camp commander’s office, the notoriously brutal Rudolf Höss, who would later be hanged for his crimes.

Mr Brasse was certain that this was the end but when he arrived he discovered that the SS was looking for photographers.

There followed what must have been a bizarre and terrifying experience. The assembled men were tested on their photographic skills.

Each must have known failure would mean a return to hard labour and death.

He said: ‘We were five people. They went through everything with us – the laboratory skills and the technical ability with a camera. I had the skills as well as being able to speak German, so I was chosen.’

The Nazis wanted documentation of their prisoners. The Reich was obsessed with bureaucratic records and setup ‘Erkennungsdienst,’ the photographic identification unit.

Based in the camp, it included cameramen, darkroom technicians and designers.

article-2224026-15A540BC000005DC-373_634x492Auschwitz bound: Mr Brasse became the Nazi’s photographer after being sent to the camp as a prisoner. He managed to hide thousands of negatives which were later used as evidence against the Nazis who commissioned them


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